THERE IS NO GREATER POWER in the world today than that wielded by the
manipulators of public opinion in America. No king or pope of old, no
conquering general or high priest ever disposed of a power even
remotely approaching that of the few dozen men who control America's
mass media of news and entertainment.
Their power is not distant and impersonal; it reaches into every home
in America, and it works its will during nearly every waking hour. It
is the power that shapes and molds the mind of virtually every
citizen, young or old, rich or poor, simple or sophisticated.
The mass media form for us our image of the world and then tell us
what to think about that image. Essentially everything we know-or
think we know-about events outside our own neighborhood or circle of
acquaintances comes to us via our daily newspaper, our weekly news
magazine, our radio, or our television.
It is not just the heavy-handed suppression of certain news stories
from our newspapers or the blatant propagandizing of
history-distorting TV "docudramas" that characterizes the
opinion-manipulating techniques of the media masters. They exercise
both subtlety and thoroughness in their management of the news and the
entertainment that they present to us.
For example, the way in which the news is covered: which items are
emphasized and which are played down; the reporter's choice of words,
tone of voice, and facial expressions; the wording of headlines; the
choice of illustrations-all of these things subliminally and yet
profoundly affect the way in which we interpret what we see or hear.
On top of this, of course, the columnists and editors remove any
remaining doubt from our minds as to just what we are to think about
it all. Employing carefully developed psychological techniques, they
guide our thought and opinion so that we can be in tune with the "in"
crowd, the "beautiful people," the "smart money." They let us know
exactly what our attitudes should be toward various types of people
and behavior by placing those people or that behavior in the context
of a TV drama or situation comedy and having the other TV characters
react in the Politically Correct way.
Molding American Minds
For example, a racially mixed couple will be respected, liked, and
socially sought after by other characters, as will a "take charge"
Black scholar or businessman, or a sensitive and talented homosexual,
or a poor but honest and hardworking illegal alien from Mexico. On the
other hand, a White racist-that is, any racially conscious White
person who looks askance at miscegenation or at the rapidly darkening
racial situation in America-is portrayed, at best, as a despicable
bigot who is reviled by the other characters, or, at worst, as a
dangerous psychopath who is fascinated by firearms and is a menace to
all law-abiding citizens. The White racist "gun nut," in fact, has
become a familiar stereotype on TV shows.
The average American, of whose daily life TV-watching takes such an
unhealthy portion, distinguishes between these fictional situations
and reality only with difficulty, if at all. He responds to the
televised actions, statements, and attitudes of TV actors much as he
does to his own peers in real life. For all too many Americans the
real world has been replaced by the false reality of the TV
environment, and it is to this false reality that his urge to conform
responds. Thus, when a TV scriptwriter expresses approval of some
ideas and actions through the TV characters for whom he is writing,
and disapproval of others, he exerts a powerful pressure on millions
of viewers toward conformity with his own views.
And as it is with TV entertainment, so it is also with the news,
whether televised or printed. The insidious thing about this form of
thought control is that even when we realize that entertainment or
news is biased, the media masters still are able to manipulate most of
us. This is because they not only slant what they present, but also
they establish tacit boundaries and ground rules for the permissible
spectrum of opinion.
As an example, consider the media treatment of Middle East news. Some
editors or commentators are slavishly pro-Israel in their every
utterance, while others seem nearly neutral. No one, however, dares
suggest that the U.S. government is backing the wrong side in the
Arab-Jewish conflict, or that 9-11 was a result of that support. Nor
does anyone dare suggest that it served Jewish interests, rather than
American interests, to send U.S. forces to cripple Iraq, Israel's
principal rival in the Middle East. Thus, a spectrum of permissible
opinion, from pro-Israel to nearly neutral, is established.
Another example is the media treatment of racial issues in the United
States. Some commentators seem almost dispassionate in reporting news
of racial strife, while others are emotionally partisan-with the
partisanship always on the non-White side. All of the media spokesmen
without exception, however, take the position that "multiculturalism"
and racial mixing are here to stay and that they are good things.
Because there are differences in degree, however, most Americans fail
to realize that they are being manipulated. Even the citizen who
complains about "managed news" falls into the trap of thinking that
because he is presented with an apparent spectrum of opinion he can
escape the thought controllers' influence by believing the editor or
commentator of his choice. It's a "heads I win, tails you lose"
situation. Every point on the permissible spectrum of public opinion
is acceptable to the media masters-and no impermissible fact or
viewpoint is allowed any exposure at all, if they can prevent it.
The control of the opinion-molding media is nearly monolithic. All of
the controlled media-television, radio, newspapers, magazines, books,
motion pictures-speak with a single voice, each reinforcing the other.
Despite the appearance of variety, there is no real dissent, no
alternative source of facts or ideas accessible to the great mass of
people that might allow them to form opinions at odds with those of
the media masters. They are presented with a single view of the
world-a world in which every voice proclaims the equality of the
races, the inerrant nature of the Jewish "Holocaust" tale, the
wickedness of attempting to halt the flood of non-White aliens pouring
across our borders, the danger of permitting citizens to keep and bear
arms, the moral equivalence of all sexual orientations, and the
desirability of a "pluralistic," cosmopolitan society rather than a
homogeneous, White one. It is a view of the world designed by the
media masters to suit their own ends-and the pressure to conform to
that view is overwhelming. People adapt their opinions to it, vote in
accord with it, and shape their lives to fit it.
And who are these all-powerful masters of the media? As we shall see,
to a very large extent they are Jews. It isn't simply a matter of the
media being controlled by profit-hungry capitalists, some of whom
happen to be Jews. If that were the case, the ethnicity of the media
masters would reflect, at least approximately, the ratio of rich
Gentiles to rich Jews. Despite a few prominent exceptions, the
preponderance of Jews in the media is so overwhelming that we are
obliged to assume that it is due to more than mere happenstance.
Electronic News & Entertainment Media
Continuing government deregulation of the telecommunications industry
has resulted, not in the touted increase of competition, but rather in
an accelerating wave of corporate mergers and acquisitions that have
produced a handful of multi-billion-dollar media conglomerates. The
largest of these conglomerates are rapidly growing even bigger by
consuming their competition, almost tripling in size during the 1990s.
Whenever you watch television, whether from a local broadcasting
station or via cable or a satellite dish; whenever you see a feature
film in a theater or at home; whenever you listen to the radio or to
recorded music; whenever you read a newspaper, book, or magazine-it is
very likely that the information or entertainment you receive was
produced and/or distributed by one of these megamedia companies:
Time Warner. The largest media conglomerate today is Time Warner
(briefly called AOL-Time Warner; the AOL was dropped from the name
when accounting practices at the AOL division were questioned by
government investigators), which reached its current form when America
Online bought Time Warner for $160 billion in 2000. The combined
company had revenue of $39.5 billion in 2003. The merger brought
together Steve Case, a Gentile, as chairman of AOL-Time Warner, and
Gerald Levin, a Jew, as the CEO. Warner, founded by the Jewish Warner
brothers in the early part of the last century, rapidly became part of
the Jewish power base in Hollywood, a fact so well-known that it is
openly admitted by Jewish authors, as is the fact that each new media
acquisition becomes dominated by Jews in turn: Speaking of the initial
merger of Time, Inc. with Warner, Jewish writer Michael Wolff said in
New York magazine in 2001 "since Time Inc.'s merger with Warner ten
years ago, one of the interesting transitions is that it has become a
Jewish company." ("From AOL to W," New York magazine, January 29,
The third most powerful man at AOL-Time Warner, at least on paper, was
Vice Chairman Ted Turner, a White Gentile. Turner had traded his
Turner Broadcasting System, which included CNN, to Time Warner in 1996
for a large block of Time Warner shares. By April 2001 Levin had
effectively fired Ted Turner, eliminating him from any real power.
However, Turner remained a very large and outspoken shareholder and
member of the board of directors.
Levin overplayed his hand, and in a May 2002 showdown, he was fired by
the company's board. For Ted Turner, who had lost $7 billion of his $9
billion due to Levin's mismanagement, it was small solace. Turner
remains an outsider with no control over the inner workings of the
company. Also under pressure, Steve Case resigned effective in May
2003. The board replaced both Levin and Case with a Black, Richard
Parsons. Behind Parsons the Jewish influence and power remains
AOL is the largest Internet service provider in the world, with 34
million U.S. subscribers. It is now being used as an online platform
for the Jewish content from Time Warner. Jodi Kahn and Meg Siesfeld,
both Jews, lead the Time Inc. Interactive team under executive editor
Ned Desmond, a White Gentile. All three report to Time Inc.
editor-in-chief Norman Pearlstine, a Jew. Their job is to transfer
Time Warner's content to target specific segments of America Online's
audience, especially women, children, and teens.
Time Warner was already the second largest of the international media
leviathans when it merged with AOL. Time Warner's subsidiary HBO (26
million subscribers) is the nation's largest pay-TV cable network.
HBO's "competitor" Cinemax is another of Time Warner's many cable
Until the purchase in May 1998 of PolyGram by Jewish billionaire Edgar
Bronfman, Jr., Warner Music was America's largest record company, with
50 labels. Warner Music was an early promoter of "gangsta rap."
Through its involvement with Interscope Records (prior to Interscope's
acquisition by another Jewish-owned media firm), it helped to
popularize a genre whose graphic lyrics explicitly urge Blacks to
commit acts of violence against Whites. Bronfman purchased Warner
Music in 2004, keeping it solidly in Jewish hands.
In addition to cable and music, Time Warner is heavily involved in the
production of feature films (Warner Brothers Studio, Castle Rock
Entertainment, and New Line Cinema). Time Warner's publishing division
is managed by its editor-in-chief, Norman Pearlstine, a Jew. He
controls 50 magazines including Time, Life, Sports Illustrated, and
People. Book publishing ventures include Time-Life Books,
Book-of-the-Month Club, Little Brown, and many others. Time Warner
also owns Shoutcast and Winamp, the very tools that most independent
Internet radio broadcasters rely on, and, as a dominant player in the
Recording Industry Association of America (RIAA), was essentially
"negotiating" with itself when Internet radio music royalty rules were
set that strongly favored large content providers and forced many
small broadcasters into silence. (The Register, "AOL Time Warner takes
grip of net radio," 8th April 2003)
Ted Turner's Lesson: "Be very careful with whom you merge."
When Ted Turner, the Gentile media maverick, made a bid to buy CBS in
1985, there was panic in the media boardrooms across the country.
Turner had made a fortune in advertising and then built a successful
cable-TV news network, CNN, with over 70 million subscribers.
Although Turner had never taken a stand contrary to Jewish interests,
he was regarded by William Paley and the other Jews at CBS as
uncontrollable: a loose cannon who might at some time in the future
turn against them. Furthermore, Jewish newsman Daniel Schorr, who had
worked for Turner, publicly charged that his former boss held a
personal dislike for Jews.
To block Turner's bid, CBS executives invited billionaire Jewish
theater, hotel, insurance, and cigarette magnate Laurence Tisch to
launch a "friendly" takeover of CBS. From 1986 to 1995 Tisch was the
chairman and CEO of CBS, removing any threat of non-Jewish influence
there. Subsequent efforts by Ted Turner to acquire CBS were obstructed
by Gerald Levin's Time Warner, which owned nearly 20 percent of CBS
stock and had veto power over major deals. But when his fellow Jew
Sumner Redstone offered to buy CBS for $34.8 billion in 1999, Levin
had no objections.
Thus, despite being an innovator and garnering headlines, Turner never
commanded the "connections" necessary for being a media master. He
finally decided if you can't lick 'em, join 'em, and he sold out to
Levin's Time Warner. Ted Turner summed it up:
"I've had an incredible life for the most part. I made a lot of smart
moves, and I made a lot of money. Then something happened, and I
merged with Time Warner, which looked like the right thing to do at
the time. And it was good for shareholders.
"But then I lost control. I thought I would have enough moral
authority to have all the influence in the new company. If you go into
business, be very careful with whom you merge.
"I thought I was buying Time Warner, but they were buying me. We had
kind of a difference in viewpoint. Then they merged with AOL, and that
was a complete disaster, at least so far. I have lost 85 percent of my
Disney. The second-largest media conglomerate today, with 2003
revenues of $27.1 billion, is the Walt Disney Company. Its leading
personality and CEO, Michael Eisner, is a Jew.
The Disney empire, headed by a man described by one media analyst as a
"control freak," includes several television production companies
(Walt Disney Television, Touchstone Television, Buena Vista
Television) and cable networks with more than 100 million subscribers
altogether. As for feature films, the Walt Disney Motion Pictures
Group includes Walt Disney Pictures, Touchstone Pictures, Hollywood
Pictures, and Caravan Pictures. Disney also owns Miramax Films, run by
the Jewish Weinstein brothers, Bob and Harvey, who have produced such
ultra-raunchy movies as The Crying Game, Priest, and Kids.
When the Disney Company was run by the Gentile Disney family prior to
its takeover by Eisner in 1984, it epitomized wholesome family
entertainment. While it still holds the rights to Snow White, the
company under Eisner has expanded into the production of a great deal
of so-called "adult" material.
In August 1995, Eisner acquired Capital Cities/ABC, Inc., which owns
the ABC television network, which in turn owns ten TV stations
outright in such big markets as New York, Chicago, Philadelphia, Los
Angeles, San Francisco, and Houston. In addition, in the United States
ABC has 225 affiliated TV stations, over 2,900 affiliated radio
stations and produces over 7,200 radio programs. ABC owns 54 radio
stations and operates 57 radio stations, many in major cities such as
New York, Washington, and Los Angeles. Radio Disney, part of ABC Radio
Networks, provides programming targeting children.
Sports network ESPN, an ABC cable subsidiary, is headed by President
and CEO George W. Bodenheimer, who is a Jew. The corporation also
controls the Disney Channel, Toon Disney, A&E, Lifetime Television,
SOAPnet and the History Channel, with between 86 and 88 million
subscribers each. The ABC Family television network has 84 million
subscribers and, in addition to broadcasting entertainment (some of it
quite raunchy for a "family" channel), is also the network outlet for
Christian Zionist TV evangelist Pat Robertson.
Although primarily a telecommunications company, ABC/Disney earns over
$1 billion in publishing, owning Walt Disney Company Book Publishing,
Hyperion Books, and Miramax Books. It also owns six daily newspapers
and publishes over 20 magazines. Disney Publishing Worldwide publishes
books and magazines in 55 languages in 74 countries, reaching more
than 100 million readers each month
On the Internet, Disney runs Buena Vista Internet Group, ABC Internet
Group, ABC.com, ABCNEWS.com, Oscar.com, Mr. Showbiz, Disney Online,
Disney's Daily Blast, Disney.com, Family.com, ESPN Internet Group,
ESPN.sportzone.com, Soccernet.com, NFL.com, NBA.com, Infoseek (partial
ownership), and Disney Interactive.
Viacom. Number three on the list, with 2003 revenues of just over
$26.5 billion, is Viacom, Inc., headed by Sumner Redstone (born Murray
Rothstein), a Jew. Melvin A. Karmazin, another Jew, was number two at
Viacom until June 2004, holding the positions of president and chief
operating officer. Karmazin remains a large Viacom shareholder.
Replacing Karmazin as co-presidents and co-COOs are a Jew, Leslie
Moonves, and Tom Freston, a possible Jew. (We have been unable to
confirm Freston's Jewish ancestry; he has done work for Jewish
organizations and was involved in the garment trade, a heavily Jewish
industry, importing clothing from the Third World to the U.S. in the
Viacom produces and distributes TV programs for the three largest
networks, owns 39 television stations outright with another 200
affiliates in its wholly-owned CBS Television Network, owns 185 radio
stations in its Infinity radio group, and has over 1,500 affiliated
stations through its CBS Radio Network. It produces feature films
through Paramount Pictures, headed by Jewess Sherry Lansing (born
Sherry Lee Heimann), who is planning to retire at the end of 2005.
Viacom was formed in 1971 as a way to dodge an anti-monopoly FCC
ruling that required CBS to spin off a part of its cable TV operations
and syndicated programming business. This move by the government
unfortunately did nothing to reduce the mostly Jewish collaborative
monopoly that remains the major problem with the industry. In 1999,
after CBS had again augmented itself by buying King World Productions
(a leading TV program syndicator), Viacom acquired its progenitor
company, CBS, in a double mockery of the spirit of the 1971 ruling.
Redstone acquired CBS following the December 1999 stockholders' votes
at CBS and Viacom. CBS Television has long been headed by the
previously mentioned Leslie Moonves; the other Viacom co-president,
Tom Freston, headed wholly-owned MTV.
Viacom also owns the Country Music Television and The Nashville
Network cable channels and is the largest outdoor advertising
(billboards, etc.) entity in the U.S. Viacom's publishing division
includes Simon & Schuster, Scribner, The Free Press, Fireside, and
Archway Paperbacks. It distributes videos through its over 8,000
Blockbuster stores. It is also involved in satellite broadcasting,
theme parks, and video games.
Viacom's chief claim to fame, however, is as the world's largest
provider of cable programming through its Showtime, MTV, Nickelodeon,
Black Entertainment Television, and other networks. Since 1989 MTV and
Nickelodeon have acquired larger and larger shares of the juvenile
television audience. MTV dominates the television market for viewers
between the ages of 12 and 24.
Sumner Redstone owns 76 per cent of the shares of Viacom. He offers
Jackass as a teen role model and pumps MTV's racially mixed rock and
rap videos into 342 million homes in 140 countries and is a dominant
cultural influence on White teenagers around the world. MTV also makes
race-mixing movies like Save the Last Dance.
Nickelodeon, with over 87 million subscribers, has by far the largest
share of the four-to-11-year-old TV audience in America and is
expanding rapidly into Europe. Most of its shows do not yet display
the blatant degeneracy that is MTV's trademark, but Redstone is
gradually nudging the fare presented to his kiddie viewers toward the
same poison purveyed by MTV. Nickelodeon continues a 12-year streak as
the top cable network for children and younger teenagers.
NBC Universal. Another Jewish media mogul is Edgar Bronfman, Jr. He
headed Seagram Company, Ltd., the liquor giant, until its recent
merger with Vivendi. His father, Edgar Bronfman, Sr., is president of
the World Jewish Congress.
Seagram owned Universal Studios and later purchased Interscope
Records, the foremost promoter of "gangsta rap," from Warner.
Universal and Interscope now belong to Vivendi Universal, which merged
with NBC in May 2004, with the parent company now called NBC
Bronfman became the biggest man in the record business in May 1998
when he also acquired control of PolyGram, the European record giant,
by paying $10.6 billion to the Dutch electronics manufacturer Philips.
In June 2000, the Bronfman family traded Seagram to Vivendi for stock
in Vivendi, and Edgar, Jr. became vice chairman of Vivendi. Vivendi
was originally a French utilities company, and was then led by Gentile
Jean-Marie Messier. A board of directors faction led by Bronfman
forced Messier to resign in July 2002.
Vivendi also acquired bisexual Jew Barry Diller's USA Networks in
2002. (Diller is the owner of InterActive Corporation, which owns
Expedia, Ticketmaster, The Home Shopping Network, Lending Tree,
Hotels.com, CitySearch, Evite, Match.com, and other Internet
businesses.) Vivendi combined the USA Network, Universal Studios,
Universal Television, and theme parks into Vivendi Universal
After the Vivendi-NBC merger, Bronfman used his considerable personal
profits to strike out on his own, and recently purchased Warner Music
from Jewish-dominated Time Warner. The current chairman of NBC
Universal is a Gentile often associated with Jewish causes, long-time
NBC employee Bob Wright. Ron Meyer, a Jew, is president and chief
operating officer of Universal Studios. Stacey Snider, also Jewish, is
the chairman of Universal Pictures. The president of NBC Universal
Television Group is Jeff Zucker, another Jew.
With two of the top four media conglomerates in the hands of Jews
(Disney and Viacom), with Jewish executives running the media
operations of NBC Universal, and with Jews filling a large proportion
of the executive jobs at Time Warner, it is unlikely that such an
overwhelming degree of control came about without a deliberate,
concerted effort on the Jews' part.
Other media companies: Rupert Murdoch's News Corporation owns Fox
Television Network, Fox News, the FX Channel, 20th Century Fox Films,
Fox 2000, and publisher Harper Collins. News Corp. is the fifth
largest megamedia corporation in the nation, with 2003 revenues of
approximately $19.2 billion. It is the only other media company which
comes close to the top four.
Its Fox News Channel has been a key outlet pushing the Jewish
neoconservative agenda that lies behind the Iraq War and which
animates both the administration of George W. Bush and the "new
conservatism" that embraces aggressive Zionism and multiracialism.
Murdoch is nominally a Gentile, but there is some uncertainty about
his ancestry and he has vigorously supported Zionism and other Jewish
causes throughout his life. (Historian David Irving has published
information from a claimed high-level media source who says that
Murdoch's mother, Elisabeth Joy Greene, was Jewish, but we have not
been able to confirm this.) Murdoch's number two executive is Peter
Chernin, who is president and chief operating officer-and a Jew.
Under Chernin, Jews hold key positions in the company: Gail Berman
runs Fox Entertainment Group; Mitchell Stern heads satellite
television division DirecTV; Jane Friedman is chairman and CEO of
Harper Collins; and Thomas Rothman is chairman of Fox Filmed
Entertainment. News Corporation also owns the New York Post and TV
Guide, and both are published under Chernin's supervision. The primary
printed neoconservative journal, The Weekly Standard, is also
published by News Corporation and edited by William Kristol, a leading
Jewish neocon spokesman and "intellectual."
Most of the television and movie production companies that are not
owned by the large media corporations are also controlled by Jews.
For example, Spyglass, an "independent" film producer which has made
such films as The Sixth Sense, The Insider, and Shanghai Noon, is
controlled by its Jewish founders Gary Barber and Roger Birnbaum, who
are co-chairmen. Jonathan Glickman serves as president and Paul
Neinstein is executive vice president. Both men are Jews. Spyglass
makes movies exclusively for DreamWorks SKG.
The best known of the smaller media companies, DreamWorks SKG, is a
strictly kosher affair. DreamWorks was formed in 1994 amid great media
hype by recording industry mogul David Geffen, former Disney Pictures
chairman Jeffrey Katzenberg, and film director Steven Spielberg, all
three of whom are Jews. The company produces movies, animated films,
television programs, and recorded music. Considering the cash and
connections that Geffen, Katzenberg, and Spielberg have, DreamWorks
may soon be in the same league as the big four.
One major studio, Columbia Pictures, is owned by the Japanese
multinational firm Sony. Nevertheless, the studio's chairman is Jewess
Amy Pascal, and its output fully reflects the Jewish social agenda.
Sony's music division recently merged with European music giant BMG to
form Sony BMG Music Entertainment, now one of the world's largest
music distributors. It is headed by CEO Andrew Lack, formerly
president and CEO of NBC-and a Jew. Sony's overall American operations
are headed by a Jew named Howard Stringer, formerly of CBS, who hired
It is well known that Jews have controlled most of the production and
distribution of films since shortly after the inception of the movie
industry in the early decades of the 20th century. When Walt Disney
died in 1966, the last barrier to the total Jewish domination of
Hollywood was gone, and Jews were able to grab ownership of the
company that Walt built. Since then they have had everything their way
in the movie industry.
Films produced by seven of the firms mentioned above-Disney, Warner
Brothers, Paramount (Viacom), Universal (NBC Universal), 20th Century
Fox (News Corp.), DreamWorks, and Columbia (Sony)-accounted for 94% of
total box-office receipts for the year 2003.
The big three in television network broadcasting used to be ABC, CBS,
and NBC. With the consolidation of the media empires, these three are
no longer independent entities. While they were independent, however,
each was controlled by a Jew since its inception: ABC by Leonard
Goldenson; NBC first by David Sarnoff and then by his son Robert; and
CBS first by William Paley and then by Laurence Tisch. Over several
decades these networks were staffed from top to bottom with Jews, and
the essential Jewishness of network television did not change when the
networks were absorbed by other Jewish-dominated media corporations.
The Jewish presence in television news remains particularly strong.
NBC provides a good example of this. The president of NBC News is Neal
Shapiro. Jeff Zucker is NBC Universal Television Group president.
Reporting directly to Zucker is his close friend Jonathan Wald,
formerly an NBC program producer, now a senior consultant for CNBC.
David M. Zaslav is president of NBC Cable (and also a director of
digital video firm TiVo Inc.). The president of MSNBC is Rick Kaplan.
All of these men are Jews.
A similar preponderance of Jews exists in the news divisions of the
other networks. Sumner Redstone, Tom Freston, and Les Moonves control
Viacom's CBS. Moonves demonstrated his power in 2002 by replacing the
entire staff of the new CBS Early Show. He is also a great-nephew of
Zionist leader David Ben-Gurion, Israel's first prime minister. Al
Ortiz (also a Jew) is executive producer and director of special
events coverage for CBS News. Senior executive producer Michael Bass
and Victor Neufeld (formerly producer of ABC's 20/20) produce the CBS
Early Show; both are Jews.
At ABC, David Westin, who is a Jew according to Jeffrey Blankfort of
the Middle East Labor Bulletin, is the president of ABC News. The
senior vice president for news at ABC is Paul Slavin, also a Jew.
Bernard Gershon, a Jew, is senior vice president/general manager of
the ABC News Digital Media Group, in charge of ABCNEWS.com, ABC News
Productions, and ABC News Video Source.
The Print Media
After television news, daily newspapers are the most influential
information medium in America. About 58 million of them are sold (and
presumably read) each day. These millions are divided among some 1,456
different publications. One might conclude that the sheer number of
different newspapers across America would provide a safeguard against
minority control and distortion. Alas, such is not the case. There is
less independence, less competition, and much less representation of
majority interests than a casual observer would think.
In 1945, four out of five American newspapers were independently owned
and published by local people with close ties to their communities.
Those days, however, are gone. Most of the independent newspapers were
bought out or driven out of business by the mid-1970s. Today most
"local" newspapers are owned by a rather small number of large
companies controlled by executives who live and work hundreds or even
thousands of miles away. Today less than 20 percent of the country's
1,456 papers are independently owned; the rest belong to
multi-newspaper chains. Only 103 of the total number have circulations
of more than 100,000. Only a handful are large enough to maintain
independent reporting staffs outside their own communities; the rest
must depend on these few for all of their national and international
The Associated Press (AP), which sells content to newspapers, is
currently under the control of its Jewish vice president and managing
editor, Michael Silverman, who directs the day-to-day news reporting
and supervises the editorial departments. Silverman had directed the
AP's national news as assistant managing editor, beginning in 1989.
Jewess Ann Levin is AP's national news editor. Silverman and Levin are
under Jonathan Wolman, also a Jew, who was promoted to senior vice
president of AP in November 2002.
In only two per cent of the cities in America is there more than one
daily newspaper, and competition is frequently nominal even among
them, as between morning and afternoon editions under the same
ownership or under joint operating agreements.
Much of the competition has disappeared through the monopolistic
tactics of the Jewish Newhouse family's holding company, Advance
Publications. Advance publications buys one of two competing
newspapers, and then starts an advertising war by slashing advertising
rates, which drives both papers to the edge of bankruptcy. Advance
Publications then steps in and buys the competing newspaper. Often
both papers continue: one as a morning paper and the other as an
evening paper. Eventually, though, one of the papers is closed-giving
the Newhouse brothers the only daily newspaper in that city. For
example, in 2001 the Newhouses closed the Syracuse Herald-Journal
leaving their other Syracuse newspaper, the Post-Journal, with a
The Newhouse media empire provides an example of more than the lack of
real competition among America's daily newspapers: it also illustrates
the insatiable appetite Jews have shown for all the organs of opinion
control on which they could fasten their grip. The Newhouses own 31
daily newspapers, including several large and important ones, such as
the Cleveland Plain Dealer, the Newark Star-Ledger, and the New
Orleans Times-Picayune; Newhouse Broadcasting, consisting of
television stations and cable operations; the Sunday supplement
Parade, with a circulation of more than 35 million copies per week;
some two dozen major magazines, including The New Yorker, Vogue,
Wired, Glamour, Vanity Fair, Bride's, Gentlemen's Quarterly, Self,
House & Garden, and all the other magazines of the wholly-owned Conde
Nast group. The staffing of the magazines is, as you might expect,
quite Kosher. Parade can serve as an example: Its publisher is Randy
Siegel, its editor and senior vice president is Lee Kravitz, its
creative director is Ira Yoffe, its science editor is David H. Levy,
and its health editor is Dr. Isadore Rosenfeld.
This Jewish media empire was founded by the late Samuel Newhouse, an
immigrant from Russia. When he died in 1979 at the age of 84, he
bequeathed media holdings worth an estimated $1.3 billion to his two
sons, Samuel and Donald. With a number of further acquisitions, the
net worth of Advance Publications has grown to more than $9 billion
today. The gobbling up of so many newspapers by the Newhouse family
was facilitated by newspapers' revenue structure. Newspapers, to a
large degree, are not supported by their subscribers but by their
advertisers. It is advertising revenue-not the small change collected
from a newspaper's readers-that largely pays the editor's salary and
yields the owner's profit. Whenever the large advertisers in a city
choose to favor one newspaper over another with their business, the
favored newspaper will flourish while its competitor dies. Since the
beginning of the last century, when Jewish mercantile power in America
became a dominant economic force, there has been a steady rise in the
number of American newspapers in Jewish hands, accompanied by a steady
decline in the number of competing Gentile newspapers-to some extent a
result of selective advertising policies by Jewish merchants.
Furthermore, even those newspapers still under Gentile ownership and
management are so thoroughly dependent upon Jewish advertising revenue
that their editorial and news reporting policies are largely
constrained by Jewish likes and dislikes. It holds true in the
newspaper business as elsewhere that he who pays the piper calls the
Three Jewish Newspapers
The suppression of competition and the establishment of local
monopolies on the dissemination of news and opinion have characterized
the rise of Jewish control over America's newspapers. The resulting
ability of the Jews to use the press as an unopposed instrument of
Jewish policy could hardly be better illustrated than by the examples
of the nation's three most prestigious and influential newspapers: the
New York Times, the Wall Street Journal, and the Washington Post.
These three, dominating America's financial and political capitals,
are the newspapers that set the trends and the guidelines for nearly
all the others. They are the ones that decide what is news and what
isn't at the national and international levels. They originate the
news; the others merely copy it. And all three newspapers are in
The New York Times, with a 2003 circulation of 1,119,000, is the
unofficial social, fashion, entertainment, political, and cultural
guide of the nation. It tells America's "smart set" which books to buy
and which films to see; which opinions are in style at the moment;
which politicians, educators, spiritual leaders, artists, and
businessmen are the real comers. And for a few decades in the 19th
century it was a genuinely American newspaper.
The New York Times was founded in 1851 by two Gentiles, Henry J.
Raymond and George Jones. After their deaths, it was purchased in 1896
from Jones's estate by a wealthy Jewish publisher, Adolph Ochs. His
great-great-grandson, Arthur Sulzberger, Jr., is the paper's current
publisher and the chairman of the New York Times Co. Russell T. Lewis,
also a Jew, is president and chief executive officer of The New York
Times Company. Michael Golden, another Jew, is vice chairman. Martin
Nisenholtz, a Jew, runs their massive Internet operations.
The Sulzberger family also owns, through the New York Times Co., 33
other newspapers, including the Boston Globe, purchased in June 1993
for $1.1 billion; eight TV and two radio broadcasting stations; and
more than 40 news-oriented Web operations. It also publishes the
International Herald Tribune, the most widely distributed
English-language daily in the world. The New York Times News Service
transmits news stories, features, and photographs from the New York
Times by wire to 506 other newspapers, news agencies, and magazines.
Of similar national importance is the Washington Post, which, by
establishing its "leaks" throughout government agencies in Washington,
has an inside track on news involving the Federal government.
The Washington Post, like the New York Times, had a non-Jewish origin.
It was established in 1877 by Stilson Hutchins, purchased from him in
1905 by John R. McLean, and later inherited by Edward B. McLean. In
June 1933, however, at the height of the Great Depression, the
newspaper was forced into bankruptcy. It was purchased at a bankruptcy
auction by Eugene Meyer, a Jewish financier and former partner of the
infamous Bernard Baruch, a Jew who was industry czar in America during
the First World War. The Washington Post was run by Katherine Meyer
Graham, Eugene Meyer's daughter, until her death in 2001. She was the
principal stockholder and board chairman of the Washington Post
Company; and she appointed her son, Donald Graham, publisher of the
paper in 1979. Donald became Washington Post Company CEO in 1991 and
its board chairman in 1993, and the chain of Jewish control at the
Post remains unbroken. The newspaper has a daily circulation of
732,000, and its Sunday edition sells over one million copies.
The Washington Post Company has a number of other media holdings in
newspapers (the Gazette Newspapers, including 11 military
publications); in television (WDIV in Detroit, KPRC in Houston, WPLG
in Miami, WKMG in Orlando, KSAT in San Antonio, WJXT in Jacksonville);
and in magazines, most notably the nation's number-two weekly
The Washington Post Company's various television ventures reach a
total of about 12 million homes, and its cable TV service, Cable One,
has 750,000 subscribers.
The Wall Street Journal sells 1,820,000 copies each weekday and is
owned by Dow Jones & Company, Inc., a New York corporation that also
publishes 33 other newspapers and the weekly financial tabloid
Barron's. The chairman and CEO of Dow Jones is Peter R. Kann, who is a
Jew. Kann also holds the posts of chairman and publisher of the Wall
Most of New York's other major newspapers are in no better hands than
the New York Times and the Wall Street Journal. In January 1993 the
New York Daily News (circulation 729,000) was bought from the estate
of the late Jewish media mogul Robert Maxwell (born Ludvik Hoch) by
Jewish real-estate developer Mortimer B. Zuckerman. Another Jew, Les
Goodstein, is the president and chief operating officer of the New
York Daily News. And, as mentioned above, the neocon-slanted New York
Post (circulation 652,000) is owned by News Corporation under the
supervision of Jew Peter Chernin.
The story is much the same for other media as it is for television,
radio, films, music, and newspapers. Consider, for example,
newsmagazines. There are only three of any importance published in the
United States: Time, Newsweek, and U.S. News & World Report.
Time, with a weekly circulation of 4.1 million, is published by a
subsidiary of Time Warner Communications, the news media conglomerate
formed by the 1989 merger of Time, Inc., with Warner Communications.
The editor-in-chief of Time Warner Communication is Norman Pearlstine,
Newsweek, as mentioned above, is published by the Washington Post
Company, under the Jew Donald Graham. Its weekly circulation is 3.2
U=2ES. News & World Report, with a weekly circulation of 2.0 million,
is owned and published by the aforementioned Mortimer B. Zuckerman,
who also has taken the position of editor-in-chief of the magazine for
himself. Zuckerman also owns New York's tabloid newspaper, the Daily
News, which is the sixth-largest paper in the nation.
Those are the facts of media control in America. Anyone willing to
spend a few hours in a large library looking into current editions of
yearbooks on the radio and television industries and into directories
of newspapers and magazines; into registers of corporations and their
officers, such as those published by Standard and Poors and by Dun and
Bradstreet; and into standard biographical reference works can verify
their accuracy. They are undeniable. When confronted with these facts,
Jewish spokesmen customarily will use evasive tactics. "Ted Turner
isn't a Jew!" they will announce triumphantly, as if that settled the
issue. If pressed further they will accuse the confronter of
"anti-Semitism" for even raising the subject. It is fear of this
accusation that keeps many persons who know the facts silent.
But we must not remain silent on this most important of issues. The
Jewish control of the American mass media is the single most important
fact of life, not just in America, but in the whole world today. There
is nothing-plague, famine, economic collapse, even nuclear war-more
dangerous to the future of our people.
Jewish media control determines the foreign policy of the United
States and permits Jewish interests rather than American interests to
decide questions of war and peace. Without Jewish media control, there
would have been no Persian Gulf war, for example. There would have
been no NATO massacre of Serb civilians. There would have been no Iraq
War, and thousands of lives would have been saved. There would have
been little, if any, American support for the Zionist state of Israel,
and the hatreds, feuds, and terror of the Middle East would never have
been brought to our shores.
By permitting the Jews to control our news and entertainment media we
are doing more than merely giving them a decisive influence on our
political system and virtual control of our government; we also are
giving them control of the minds and souls of our children, whose
attitudes and ideas are shaped more by Jewish television and Jewish
films than by parents, schools, or any other influence.
The Jew-controlled entertainment media have taken the lead in
persuading a whole generation that homosexuality is a normal and
acceptable way of life; that there is nothing at all wrong with White
women dating or marrying Black men, or with White men marrying Asian
women; that all races are inherently equal in ability and
character-except that the character of the White race is suspect
because of a history of oppressing other races; and that any effort by
Whites at racial self-preservation is reprehensible.
We must oppose the further spreading of this poison among our people,
and we must break the power of those who are spreading it. It would be
intolerable for such power to be in the hands of any alien minority
with values and interests different from our own. But to permit the
Jews, with their 3,000-year history of nation-wrecking, from ancient
Egypt to Russia, to hold such power over us is tantamount to race
suicide. Indeed, the fact that so many White Americans today are so
filled with a sense of racial guilt and self-hatred that they actively
seek the death of their own race is a deliberate consequence of Jewish
Once we have absorbed and understood the fact of Jewish media control,
it is our inescapable responsibility to do whatever is necessary to
break that control. We must shrink from nothing in combating this evil
power that has fastened its deadly grip on our people and is injecting
its lethal poison into our people's minds and souls. If our race fails
to destroy it, it certainly will destroy our race.